Records of the Week 10/22/11: Three Great Albums From 2011

Stephen Malkmus & The Jicks – Mirror Traffic

As of now, Mirror Traffic is my favorite album of 2011.  Singer/guitarist Stephen Malkmus’ first album post-Pavement reunion (and latest in a long string of awesome solo albums) is a more focused work than some of his past efforts, which makes it a great listening experience.  While it features some of Malkmus’ trademark sillyness (Senator has the line “I know what the senator wants is a blowjob”) Mirror Traffic is a little more personal.  “Share the Red” is one of his most emotional tracks, where he contemplates being “40 with a kid, living on the grid.”  It also features few of the catchiest Jicks songs, “Forever 28″ and “Stick Figures In Love”.  “Forever 28″ has one of the most memorable vocal melodies on the album in between electric guitar freakouts while “Stick Figures” moves along at a brisk pace fueled by an infectious guitar line.  It doesn’t hurt that the album was produced by Beck, who seems to have a great handle on making Malkmus sound his best.

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Records of the Week: 7/29/11

Stephen Malkmus – Stephen Malkmus

While Stephen Malkmus’ work with Pavement mostly leaned towards the loud, noisy, and distorted brand of rock, 1999′s Terror Twilight – the bands penultimate album – was a sparse, more melodic affair.  Twilight is subtle in a way that every other Pavement album is not.  Many have attributed this style change to the growing control of Stephen Malkmus, who was reportedly getting fed up with the group around this time.  After hearing his first solo record (which is self-titled) it’s easy to see how people came to that conclusion.  Stephen Malkmus is arguably the singer’s most poppy album.  But while Terror Twilight’s songs meandered on a little too long, or simply never hit the mark, this album is for the most part an interesting, easy listen.  “Jenny & The Ess-Dog”, a love story about the two characters named in the title, is one of Malkmus’ most pleasant songs.  “Vague Space”‘s falsetto chorus – despite it’s short length – is one of the best parts of the album.  And even the more eclectic songs, like the ridiculously infectious “Troubbble” and the catchy “Phantasies” both work well.  If you haven’t discovered Malkmus’ work beyond Pavement, definitely give this album a few listens.

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