Nicklist #9 (Five Great Live Versions)

1.) “School” – Nirvana (from Live at Reading)

It’s become almost cliche to list Nirvana as one of your favorite bands these days.  They are arguably the biggest rock group of the past thirty years, and “Smells Like Teen Spirit” has been called one of the greatest rock songs of all time on multiple occasions.  If a band covers at Nirvana at a show, it seems ridiculous since it’s been overdone so many times.  But since older, Bleach era Nirvana is often ignored by many rock critics and music fans, I felt that it would be a good idea to share the best performance of one of the best Nirvana songs.  “School”‘s heavy guitar riff and heavy drums make it one of the group’s most powerful and “in your face” songs.  This version in front of thousands at the Reading Festival is even better than the original, and a great display of Nirvana’s excellent live shows.

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Nicklist #8

1.) “The Ballad of El Goodo” – Big Star (from #1 Record)

Big Star is one of the best rock bands of the 70s.  They’re probably more known for writing the original version of That 70s Show’s theme song “In The Street” (which was covered by Cheap Trick).  But #1 Record is as solid of a rock album you’ll hear from the decade.  Bands like The Replacements, who wrote a song called “Alex Chilton” after one of the group’s members, were noticeably influenced by Big Star.  They definitely had a lasting impact on the world of music.  “The Ballad of El Goodo” isn’t my favorite song on the record, but it’s definitely up there.  The chorus, “ain’t no one goin’ to turn me round,” is incredibly pleasing to the ear and the emotions.

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Nicklist #7

1.) “Bachelorette” – Bjork (from Homogenic)

Bjork is one of the greatest singers I’ve personally heard.  Her voice is can be powerful (sometimes even scary) or beautiful.  It has a lot of resonance and is very dynamic.  “Bachelorette” is a great example of her vocal talents.  Despite the excellence of the backing track (soaring strings, a dark bassline) what manages to be the most interesting memorable part of the song is the melody and vocals.  The fact that she also arranged the instrumentation is just an addition to her talent as a musician.  The best part about Bjork, however, is her willingness to evolve and change – so if you like this, definitely check out some other stuff.  Vespertine, for example, is a little more minimalistic and electronic than her work on Homogenic.

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Nicklist #6

1.) “Get Up” – Sleater-Kinney (from The Hot Rock)

Sleater-Kinney is one of the most underrated rock bands of the 90s – you hear a lot about the Nirvanas, and to a lesser extent the Pavements (one of my favorite bands) of the 90s, who gained a little more popularity than the girls from this band – but they rock hard.  “Get Up” is no exception – it has a great guitar riff and powerful vocals from lead vocalist Corin Tucker.  However, my favorite song is the bridge, where second guitarist Carrie Brownstein takes over the singing duties and sings a beautiful melody over some arpegiatted guitar playing.  Their drummer is Janet Weiss (Quasi, Stephen Malkmus & The Jicks, Elliott Smith) who is one of rock’s most solid, hard-hitting drummers.

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Nicklist #5

Sorry for the lack of updates lately.  I haven’t been overly busy – put simply, there just hasn’t been things to review lately.  Fortunately a few great records are coming out this week, and after a little time with them I’ll post my reviews.  One way I’ve debated keeping the blog a little more active is reviewing older albums – but I feel like people have much more interest in newer releases.  Perhaps I’ll change my mind on that soon, though.  I want to remain as active as possible.

1.) “Dying Song” – John Frusciante (from The Brown Bunny soundtrack)

John Frusciante has always been one of my favorite artists, so its slightly surprising to realize that I haven’t mentioned him on this blog yet.  “Dying Song” is one of the most achingly heartbreaking things I’ve heard (in a beautiful way).  Frusciante has always utilized synths in unique and interesting ways, and this song is no exception.  The atmospheric, moody Rhodes keyboard and the little synth bleeps after each chorus add dynamics to what would just be a (very good) acoustic song otherwise.  The best thing about this song is the volume – despite the fact the song is acoustic, it sounds very full and is produced very well.  A lot of artists who record acoustically end up sounding thin or too sparse.

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Nicklist #4: Five Songs from Free Rap Albums & Mixtapes

One of the coolest things about the internet is the evolution of the “free album.”  It’s become such a common part of the current musical setting that it’s something a lot of us take for granted, but before the internet it was relatively impossible to distribute something for free, unless you were already a popular artist.  A genre that has embraced the internet is hip-hop music.  In between official releases for labels, artists of all popularity – from the mainstream to the underground – release free mixtapes online.  It’s an easy way to give fans something new, and an easy way to get stuff distributed without much trouble.

Today’s Nicklist features five songs from great rap/hip-hop mixtapes (with links to download said mixtapes).  Keep in mind that this isn’t a list of the best songs from mixtapes of all time – just stuff I’ve personally enjoyed.  And if you have any mixtape recommendations, leave a comment!

1.) “Us Placers” – CRS (from Kanye West’s Can’t Tell Me Nothing mixtape)

This is one of my favorite rap songs due to the sample alone (“Eraser” by Thom Yorke) and it’s used so well in the song.  Sometimes I hear rap songs that utilize samples in the wrong way and end up sounding boring or repetitive because of it, and this is song is the best example of something that just works.  It doesn’t hurt to have some of the best mainstream rappers (Kanye, Pharell Williams and Lupe Fiasco) on the track, either.  Lupe actually produced this track as part of what was going to be a mixtape with samples from Thom Yorke and Radiohead songs.  Sadly that project never manifested and it ended up appearing on Kanye’s Can’t Tell Me Nothing mixtape instead.

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Nicklist #3: Five Songs That Helped Me Get Through A Break-Up

About four months ago, a few weeks before I turned 20, I went through a fairly painful break-up (my first one) and it really affected me for a while.  And although I’m not going to go into any personal details or anything like that here (and I’ve been doing well lately), what I will do for the weekly Nicklist is post five songs that I feel really helped me through what happened, or at least made the pain a little easier to bear for a while.

These songs have a lot of emotional significance to me, but aside from that I hope you guys enjoy some of these tunes (if you haven’t heard them already).  Maybe someone reading this went through something similar and it’ll help them a little.

1.) “Call Me On Your Way Back Home” – Ryan Adams (from Heartbreaker)

This album is reportedly about a break-up Adams had with one of his former girlfriends, and you can definitely hear it in the music.  Although there are a few more upbeat tracks, much of the album is in a similar vein to this one – very sparse with beautiful vocal melodies.  One of my favorite lines is “Oh baby why did I treat you like I did/Honey I was just a kid/bubblegum on my shoe.”  I feel like there’s a kind of immaturity in relationships, especially those that happen towards a younger age, and I love the imagery and feeling this song invokes through the lyrics and chord progression.

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Nicklist #2

Hey there blog readers.  I’m a little short on time today, so I apologize if this seems a tad bit rushed.  I’m going to 1.) watch the Lakers vs. Bucks game with a friend and then 2.) go see a midnight showing of True Grit (which hopefully I will review tomorrow).  Once again I fulfill my promise of doing a weekly post.  I think the blog has gotten a lot more active the last few weeks, and honestly I’m loving it.  There is a feeling of obligation, I guess, but Nicklists and Records of the Week are so easy to do that there’s still that element of fun.

By the way this is something I’ve discussed before – if you have anything at all to say, please leave a comment.  It’s always fun to read them, and it’d also be cool to have some interaction involved with these posts.  Also, remember to like my blog on facebook (link in the sidebar).

1.) “Example” – Curren$y (from 2010′s Pilot Talk)

This is probably one of the most enjoyable rap beats I’ve heard this year.  Lyrically it’s not the most amazing song, but anyone could rap over this beat and make it sound good, even a nerdy white guy like me (ok, probably not).  The layed distorted guitar totally invokes 70s rock music, and it’s a really cool angle for a rap song.  Just when you get used to that  great sound, the guitar drops out and some soft synth comes in.  I’m a huge fan of variations in rap beats, and this song really does that well.  On the radio there’s just too much rapping over repetitive beats, and it’s refreshing to hear something like this.

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NickList #1

Just came up with this cool idea to do a weekly “NickList” of 5 or so songs I’ve been enjoying lately with a couple lines of text about each song and why I picked it. I’ll be looking for youtube videos for most of the songs to make it easier for people to listen without downloading, so excuse the bad quality on some of the songs.  (Also a small side note: I created a facebook fan page so you can “like” the blog and get updates on your News Feed…so like it if you’re into that kind of thing).

1.) “All of the Lights” – Kanye West (from 2010′s My Beautiful Dark Twisted Fantasy)

I reviewed Kanye’s new album My Beautiful Dark Twisted Fantasy the other day, and this song “All of the Lights” is one of the best tracks.  It’s immense in sound – thundering drums and loud horns, and even a piano solo – and in scope.  The song features Alicia Keys, Elton John, Rihanna, Elly Jackson (La Roux), the Dream, Fergie, and a bunch of other artists.  Like him or not, only Kanye could get away with featuring extremely popular artists like Keys and John on a track in such a limited capacity.  This song really has the potential to be a huge hit based on the “star power” and the “huge” sound.

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